Dave was deeply involved in all the writing, and he was the final word on everything.
Film Audit: CABIN BOY - A Voyage Through Absurdity
Practically every syllable had to be tailored to his voice and sensibility. Chris Elliott was a writer on the show, too, and you went on to work on other projects together. Chris and I hit it off almost right away when I was an intern. I was a huge fan of his, so it was strange becoming friends with him.
We collaborated on a lot of his pieces. I think we both sort of hated it.
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When we worked for Dave, we were shielded from that. Where do you think it went wrong? It went wrong from the moment I became the director.
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He really loved the script. When he and his producers came to me and encouraged me to take it over, I refused.
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The big lesson I learned was, never do anything for the opportunity. Read Next.
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Review – The Unlucky Cabin Boy: A grisly tale well served
Name required. Email required. Such is the nature—and often, the ill fate—of cult movies: Narrow visions have narrow appeal, and the segment of the population delighted by the prospect of Elliott haughtily traipsing about salty sailors in Harryhausen-land turned out to be a sliver of a sliver of a sliver. But those who hear the dog whistle bark loudly.
Nathanial does have to grow up and become a man, after all, so it follows that the further his journey takes him away from his christening wig, the more the comedic tension between him and his humble shipmates dissipates.
Yet Cabin Boy has always been better than its reputation. The A.